“Okada’s death completely fits into Sato’s version of Japan, alienated and constantly watched. Women, especially, are followed with camcorders, viewed by security cameras, denied privacy. They float, friendless and unattached, in and out of phone booths, sex clubs, medical research, subways, neon cities.”如果您喜欢00影视（www.000）分享的《失落的情爱天堂》，别忘了推荐给你的好友！